An
Antique embossed paper Face Screen with central watercolour of flowers.
The
embossed surround of this screen is simply magnificent. It transcends the
neoclassical style with the sheer vitality of the design. The acanthus leaves
curl and undulate, the multi-level texture creates an illusion of nature, with
sharp definitions and curved surfaces. The Prince of Wales feathers are crowning
the top, while symmetrically arranged garlands of flowers strike a romantic note
without upsetting the harmony. On the base a very alert eagle spreads its wings,
his keen eye observing (the company?), his talons gripping the twirling leaves.
He is carrying the whole artwork on his back. The frame creates an impression of
strength and solidity which is there to protect the delicate fragility of the
painted blooms. It is almost certainly the work of Henry Dobbs of London.
The
central panel is beautifully painted with blue periwinkle, purple-blue flowers
(Jacob’s ladder?) and a ragged poppy, its delicate petals blowing in the wind
while a bud is undulating ready to burst.
The
combination of the frame and the expertly arranged and painted picture show a
virtuoso mind at work: the fragility of nature in the context of a fixed
classical past.
The
gilded handle appears simple but it is well proportioned and fluted in the
manner of a classical column as it widens, before in concludes in a final
elegant ball.
