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Antique Brass Bound China-Trade Amboyna and Brass Traveling Writing Desk Circa 1830

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Description:
Ref: 867WB      http://hygra.com/box/867WB 

Robust China-trade brass bound amboyna traveling writing desk. The box opens to a sloping writing surface. The embossed leather is a replacement. There are compartments for paper and writing accessories such as inkwells and pens. There are places for storing papers under the writing surface. Both the flaps have locks. There are secret drawers concealed behind a sprung panel.

Origin: China ;  Circa: 1830 ; Materials: Amboyna, rosewood, brass , .

Size: 57 cm wide by 31 cm by 17.6 cm:  22.5  inches wide by 12.2  inches by   7 inches.

Condition: good overall; working locks and keys; see images

Keywords:  Hygra.com, Antique box, traveling desk,  rosewood, writing box, secret drawers, brass inlay, lap desk, amboyna, China-trade, Military style, Campaign box 

Request current  list of available sewing boxes with prices.
Request current  list of available writing boxes with prices.

Request current  list of available jewelry boxes with prices.

Request current  list of available tea caddies with prices.

boxes@hygra.com

 

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The box opens to a sloping writing surface. The embossed leather is a replacement. There are compartments for paper and writing accessories such as inkwells and pens. There are places for storing papers under the writing surface. Both the flaps have locks.

Please click on images to enlarge |  slide show  | thumbnail index |

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The facings are brass.

Both of the writing flaps have locks.

 

The construction wood is rosewood.

The box has two reproduction inkwells with screw tops.

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 Concealed behind a sprung panel there are secret drawers.

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 To open the panel three solid rosewood dividers have to be removed. They slide out.

 

The rosewood dividers slide out.
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To open the panel squeeze between the thumb and fingers having removed the inkwell. 

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The catch is just visible in the photo.

 

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The leather writing surface with both gilt and blind embossing is a replacement.

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A

 

The "key-hole" on the back is not funtional!
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The countersunk brass carrying handles are similar to those of English made boxes of circa 1810.
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 The underside is covered with velvet to protect furniture from being scratched.

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Click to send email request for current list with prices The Eliza writing slope: an unique satinwood writing slope with both fine marquetry and inlay depicting  trailing convolvulus. ( wikipedia.org/wiki/Convolvulus  ) This is an artwork of love. The top is solid satinwood and inlaid. the sides have a saw-cut veneer of about 1mm. The accuracy of the marquetry is truly skillful.  On the front there is a depiction of oak branches laden with acorns crossed.  The slope opens down to a velvet (replacement) writing surface and the usual compartments for inkwells and pens. Under the writing surface there is the usual place for paper storage and a nest of  three drawers  of part dovetail construction. This is not a manufactured piece, but rather a work of love by a now anonymous craftsman for his beloved Eliza who was clearly interested in flora.  Circa  1830 A restrained figured rosewood writing box with inlaid accents and lines in brass. The design of the inlay is of highly stylised flora, suggesting neoclassical designs hinting at palmette and (on the top) anthemion motifs. The juxtaposition of dark wood with bold brass inlay was popular in the early part of the 19th century. The wood and the bright brass were mutually enhancing. The Prince Regent (later George IV) commissioned such work for his Royal palaces:. more details Rare polychrome penwork writing slope the center of the top depicting a  trading caravan on the Silk Road. A central trader is aloft an elephant with outriders on horseback. This is one of the "classic" penwork compositions  There is another version of this image on http://www.hygra.com/penwork/pen2tc.htm The surround and the sides are painted in a more formal manner albeit with flowers and leaves. The blooms are are stylized and the arrangement is symmetrical and orderly in the neoclassical manner of the late 18th Century. The box dates from the short pivotal period between neoclassism and naturalism

 

 

 

All text and images and linked images are © 1999-2015 Antigone Clarke and Joseph O'Kelly. If you require any further information on permitted use, or a licence to republish any material, email us at copyright@hygra.com

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