Antique writing Box with marquetry in rosewood and bird's
eye maple, circa 1840
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Reference: wb131
Description:
Antique writing slope/ lap desk, the top decorated with marquetry in
contrasting rosewood and birds eye maple depicting stylized themes
from nature, opening down to reveal an embossed royal purple velvet
writing surface and compartments for pens and writing instruments. There
is a compartment for holding paper under the flap.
Origin: UK.
Circa: 1840
Materials:
Size: 35.5cm by 24.6cm by 9.2cm tapering to 6cm: 14 inches by
9.7 inches by 3.6 inches tapering to 2.4 inches. Condition:
Good over all, some war to the velvet writing surface, working lock
and key.
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The fast, non-fading purple dye was an item of luxury trade, prized
by Romans,
who used it to colour ceremonial robes. Pliny
the Elder described the dyeing process of two purples in his Natural
History[2]:
"'... the Tyrian hue ... is considered of the best quality
when it has exactly the colour of clotted blood, and is of a blackish
hue to the sight, but of a shining appearance when held up to the
light; hence it is that we find Homer speaking of "purple
blood'."
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the box opens down to reveal
an embossed royal purple velvet writing surface and compartments for
pens and writing instruments.
There is a compartment for
holding paper under the flap.
Tyrian purple velvet. The
writing surface has some staining and wear marks, especially in the
middle. However because the historical importance of this
color I would not recommend replacement. The look is of sophisticated
quality decadence.
From Wikipedia we learn:
"Tyrian purple (Greek:
πορφύρα,
porphura), also known as royal purple or imperial purple,
is a purple-red dye
made by the ancient Canaanites/Phoenicians
in the city of Tyre,
from a mucus-secretion of the hypobranchial gland of a marine snail
known as Murex
brandaris or the Spiny dye-murex.
A synthetic purple was not
developed untill the early 20th C.
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The marquetry on this
box draws its inspiration from native plants. The treatment is
formal. Note the strong treatment of the fern pattern.
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The box retains its original velvet
writing surface which does show wear as can be seen in the picture.
The box has two inkwells one with a silver plated top.
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There is a compartment
for holding paper under the flap.
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All text and images and linked images are ©
1999-2006 Antigone Clarke and Joseph O'Kelly. If you require any further
information on permitted use, or a licence to republish any material, email us
at copyright@hygra.com
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