| | Antique Regency
Brass Inlaid Rosewood Writing Box Circa 1825
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This form of inlay was inspired by French Boulle work, but was
evolved into a more robust genre by English cabinet makers such as
George Bullock, who was one of the Prince Regent’s/George IV
favourites. The design of the inlay is symmetrical and follows
neoclassical tradition, the flora being stylised and incorporating such
motifs as the palmette, the acanthus and a central urn. A hint of
naturalism creeps in with the flowers and the wavy movement, suggesting
the next period of more life-like development. The colour and lustre of
the brass contrasts nicely with the colour of the rosewood. Thomas Hope,
the distinguished designer, (1807 ‘Household Furniture and Interior
Decoration executed from Designs by Thomas Hope’) advocated metal
inlay on dark wood ‘….that distinctness and contrast of outline,
that opposition of plain and enriched parts…..’
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A
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The gold embossed leather writing surface is original and framed with
a cross banding of tulipwood.
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There are the usual compartments for writing accessories with
two reproduction screw-top inkwells.
The pen tray is lidded and has a turned bone handle to the center as
well as an inlaid brass line.
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There are compartments for holding paper under the writing
surfaces.
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There are compartments for pens and inkwells. The inkwells are
reproduction.
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Detail of the inlay in the center
of the top.
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The box opens to a sloping writing surface still retaining is
original gold embossed leather framed with a cross-banding of tulipwood.
There are compartments for holding paper under the writing
surfaces.
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countersunk brass carrying handles to the sides.
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The underside is covered with its original green baize.
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All text and images and linked images are ©
1999-2015 Antigone Clarke and Joseph O'Kelly. If you require any further
information on permitted use, or a licence to republish any material, email us
at copyright@hygra.com
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