Antique figured Rosewood box
inlaid with mother of pearl inlay Circa 1835
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The front. The framing of the front with mother of pearl is done with both technical
expertise and aesthetic sensitivity.
The pattern is controlled in such a way that it forms
a clean line. Within the perimeter the flora curves and undulates gently with very clear
definition between wood and mother of pearl.
The escutcheon is discreetly incorporated
within the pattern.
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Inside the box
has its original tray, with lidded compartments covered in the original velvet.
The inside of the lid is also covered in the original velvet, framed by original gold-embossed leather.
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The inside of the lid is also covered in the original velvet, framed by original gold-embossed leather.
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Detail of inside of lid. The catch can be unhooked to reveal an “envelope” compartment.
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Detail of lock and lid with loops for scissors, boot hooks etc.
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The key.
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The lift out tray has rosewood facings.
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The box has both a lift-out tray and a side drawer. The side drawer
retains its original silk lining and leather covered divisions.
The drawer opens by lifting a rod which goes through the side.
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The tray.
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The side drawer.
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The lid is lined with its original ruched velvet framed gold embossed
leather.
Behind there is a document wallet.
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The drawer is sprung and comes out when its retaining
pin is removed.
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Top showing the wonderful orchestration of the mother of pearl inlay with the central motif.
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Detail: The circle looks as if it is the centre of a flower which in turn metamorphoses into a floral composition.
The rosewood has been engraved giving vitality to depiction of flora.
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All text and images and linked images are ©
1999-2013 Antigone Clarke and Joseph O'Kelly. If you require any further
information on permitted use, or a licence to republish any material, email us
at copyright@hygra.com
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