| | Antique Brass bound Fully fitted Kingwood Dressing box by Halstaff& Hannaford
with silver topped bottles by John Douglas Circa 1820
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The interior. The design of the silver is characteristic of the earlier fashion for dressing boxes. The smaller pieces have plain tops and the larger pieces are decorated in pierced designs. Piercing could only be done when the silver was of a certain gage so it could withstand the treatment without bending.
The back velvet. Slight wear on some of the folds when closely examined.
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The box is labeled on
the document wallet:
"HALSTAFF &
HANNAFORD
Manufacturers
228 Regent St. London.
"Halstaff, Manufacturers, 228 Regent Street. Late
of Margaret St."
HALSTAFF AND
HANNAFORD: Manufacturers 228 Regent St. Another firm straddling the
time between the Regency and the time of Victoria , making exceptional
quality glamorous boxes. Emphasis on strengthening with brass corners,
brass surrounds.
William Halstaff started his box manufactory in 1825
and at that time traded from Margaret Street. He moved to 228
Regent Street in 1838. The partnership with Hannaford
started 4years later.
See: pages 255, 294 Antique
Boxes, Tea Caddies, and Society, 1700--1880
Antigone Clarke & Joseph O'Kelly, ISBN: 0764316885.
Other examples of a boxes with a Halstaff label are: http://hygra.com/dressing/index.html
http://hygra.com/uk/sb/SB432/index.htm#pic01
http://hygra.com/uk/n11/JB624/index.htm
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Three quarter view. The back lid panel is covered in the original blue velvet , which shows a hint of wear.
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Such a box would be opened when you arrived in a place
you needed to present yourself. On-lookers would, you thought, be taking
your measure.
That included servants reports given to confidents.
Locking it would show distrust of those around!
The drawer for personal jewelry has a separate key, so that the box
could be displayed and give some security to the personal drawer below.
The bottles are for perfume! The jars are for the necessary ungents.
the long box at the front was for the toothbrush. The piercing helped it
to ventilate its moisture if the box was open.
The alternative opening for the drawer at this time was a pin, usually
brass
which was driven through the front side of the box. |
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the lid:. The back panel is covered in the original blue velvet , which shows a hint of
wear matching the bottles which have pressed against it.
The gilded catch at the top releases it.
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The back flap opens to reveal an easel back table mirror.
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The mirror can be pulled out by its stand which is made from straight
grained wood and perfectly crafted.
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The Easel Mirror standing, box and flap down. |
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The mirror is old; some of
the mirroring is detached.. It shows its age. Fortunately
the glass has not been changed since.
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The bottles out of the box.
Were all of the bottles for perfume! Or more likely, some were used
for whatever your tipple was: alcohol, laudanum, or latest cure-all.
I can see the selection of the bottle of use being tricky.
The box at the front with the pierced lid is for the
toothbrush.
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Detail of bottles. The plain ones are of a pleasing sloping form and the small round jars are “ribbed”.
The shoulders of the bottles have faceted cuts. the smaller
round a fluted cut.
Each cut is made by hand with the glass/crystal brought to a cutting
wheel. The whole is then polished.
The glass is blown in a pre-heated mold.
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In 1820 John Douglas gave evidence at the Old Bailey which helped to
convict Thomas Morley. It seems that Morley robbed Douglas's servant
Ebenezer Start of nine silver castor-tops (valued at £3). Start
was returning with the silver tops from Goldsmith's Hall where he had
taken them to be stamped. see Old
Bailey. See below:
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The Silver is marked with "ID" the maker/sponsor
mark for John Douglas who registered in both 1804 and 1813. He went into
partnership with Archibald Douglas in 1821.
Douglas lived and worked at Red-Lion Street Clerkenwell.
The Douglass were a silversmith dynasty.
The other marks are
A dressing box with Archibald's mark is at:
http://hygra.com/uk/jb2/JB317 |
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For more information please click on the image or the link.
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ref:
JB317
A very fine and rare brass bound figured rosewood fully fitted
traveling/dressing box by D Edwards, with working Bramah lock and
countersunk carrying handles, the inside lined in velvet and gold
embossed leather and containing hallmarked silver toped cut lead
crystal bottles and jars by Archibald Douglas and having a
document wallet and liftout mirror in the lid. Circa 1829.
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Detail of bottles showing the glass stopper and the silver top which screws onto the
collar stopping the stopper from coming out.
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The bottom of the round jar has a star cut. With the fluted cut to the
side the little box becomes a jewel!
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The design is in the neoclassical tradition.
It is of acanthus leaves in a symmetrical, controlled and stylised pattern. The outlines are sharp giving a clear definition to the composition. The leaves are also engraved/chased
hinting at natural vitality.
This type of time consuming elegant decoration was soon abandoned and replaced by non-pierced engraved or repousse designs, often in thinner silver.
This type of pierced chased work was only produced for a short time
circa 1820.
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Initials in the centre of the silver top.
It seems to be an M and a J!
The quality of the engraving is great!!
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Silver marks on the long silver tops.
ID is the mark of John Douglas. The "e" indicates that the
silver was hall marked in 1820.
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The central tray is fitted with grooming tools with mother of pearl handles.
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The central tray is fitted with grooming tools with mother of pearl handles. |
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The front drawer opens. It has its own lock and key. The central tray lifts out. |
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Detail of the drawer which is covered in the original velvet.
The divisions are covered in fine leather.
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The box has working locks with keys. |
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Detail of leather covered corners and lids on either side of the central long jar.
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Front. The figure is rich with subtle shadings in the kingwood.
Because kingwood trees are narrow several pieces of wood are needed.
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The box has skeletal brass carrying handles which fold flush
when not in use. They are secured to the box with steel screws
which are ground to the surface.
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A
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The top is made with four pieces of wood.
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In 1820 John Douglas, the Silversmith, gave evidence at the Old Bailey which helped to
convict Thomas Morley. It seems that Morley robbed Douglas's servant
Ebenezer Start of nine silver castor-tops (valued at £3). Start
was returning with the silver tops from Goldsmith's Hall where he had
taken them to be stamped. see Old
Bailey.
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Please click on images to enlarge | thumbnail index |
All text and images and linked images are ©
1999-2014 Antigone Clarke and Joseph O'Kelly. If you require any further
information on permitted use, or a licence to republish any material, email us
at copyright@hygra.com
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