A fine Hairwood Inlaid George III Tea Caddy of
oval form Circa 1790.
Please click on images to enlarge
Reference: TC 104.
Description:
A fine inlaid harewood tea caddy of oval form the front directly
inlaid with maple and fruit wood depicting a basket of fruit on trailing
branches: grapes and cherries. The basket is suspended from a bow which
is integrated within the design of the escutcheon. The lively
composition is most unusual. The sensitive design and treatment of the
escutcheon shows a mastery of form and purpose. The inlay is given
further definition with fine engraved penwork.
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The top is inlaid with an
oval medallion depicting a basket of flowers including carnations and roses.
The caddy encloses two
compartments and is edged and faced with maple.
Working original
lock and key.
Origin: UK
Circa: 1790.
Materials: mahogany
maple and fruitwood.
Size: 19cm wide by 11cm deep by 13cm high: 7.5 inches 4.3 inches
deep by 5.1 inches high. Condition:
In the main the caddy is in good original condition. The flat top
part has had a refinishing coat of polish, however the traces of
original 18th century varnish and fading are visible through it. See
detail photos below. Inside the caddy has traces of its original
leading.
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There are lots of photos they can be
seen in higher resolution by clicking on them. They can be viewed as a slide
show in higher resolution.
Please click on images to enlarge
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The basket is suspended from
a bow which is integrated within the design of the escutcheon. The
lively composition is most unusual. The sensitive design and treatment
of the escutcheon shows a mastery of form and purpose. The inlay is
given further definition with fine engraved penwork.
|
The top is inlaid with an
oval medallion depicting a basket of flowers including carnations and roses.
|
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Please click on images to enlarge
Please click on images to enlarge
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The inlay is given further
definition with fine engraved penwork.
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Imlay depicting a bunch of grapes on leafy vine. The pieces making up the marquetry which is very tightly
cut are engraved and the design is then emphasized with penwork. |
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The basket is
suspended from a bow which is integrated within the design of the
escutcheon.
The basket is a gathering of
the fruit grapes and cherries. |
Please click on images to enlarge
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The top is inlaid with an
oval medallion depicting a basket of flowers including carnations and roses.
For comparison see www.hygra.com
/tc/tcbx22d.htm
There are similarities of inlay, construction, form,
and hardware.
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The top is 18th century work and retains some 18th C
varnish. There is a later shellac finish over this, which protects the
wood. and the original finish. The inlay which has retained its original
colours is thus protected.
I have chosen to not remove the varnish and simply reveal the beauty of
the inlay composition with better light.
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I have chosen to not remove the varnish and simply reveal
the beauty and the detail of the inlay composition with better
light. |
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Please click on images to enlarge
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The top is inlaid with an
oval medallion depicting a basket of flowers including carnations and roses.
much original varnish
survives. the tightness of element is incredible.
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Detail of the hinge.
This the the typical stop hinge of the period. It is designed to hold the
lid upright when the box open. |
Please click on images to enlarge
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The underside is
felted. The felt is clearly of two dates. there is a small piece
of the darkened maple edge .
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Please click on images to enlarge
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The steel tennon of the lock
looks undisturbed.
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The caddy encloses two
compartments and is edged and faced with maple.
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Please click on images to enlarge
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Detail: The caddy
retains its original lock and key the lock is gently curved following
the profile of the caddy.
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Please click on images to enlarge
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Inside the caddy has traces
of its original leading.
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A small part of the facing
is a replacement.
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Please click on images to enlarge
Detail of the
hinge. This looks untouched. The inner edge is cut to follow the
curved profile of the caddy.
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The whole caddy has a gentle sheen.
The construction appears
to be a continual piece of wood which is bent to shape rather than
luted.
The colours are now subtle,
and to my mind all the more delicious for it. In some of the
photographs, I have pushed the contrast.
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All text and images and linked images are ©
1999-2004 Antigone Clarke and Joseph O'Kelly. If you require any further
information on permitted use, or a licence to republish any material, email us
at copyright@hygra.com
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